It’s another year under the belt and I have to say that although there were some very tough weeks where the candle was not only burning on both ends, but in the middle too – I have persevered and come out on top! However, I could not have done this alone. I have to thank fore-mostly my partner, my family, friends, fellow UCT Postgrad students and work colleagues for supporting me, in all their unique ways.
2017 marked the completion of another milestone in my life, and that was successfully obtaining my Postgraduate Diploma in Management and Marketing through the acclaimed University of Cape Town. I’m excited to receive my official certificate in the next few months and hang it proudly alongside it’s Wits University predecessor. I also hope to integrate this latest educational endeavor of mine into expanding my career horizons and continue to make my mark on the world and the lives of people I encounter!
My work year was a rollercoaster ride with so many projects that I worked on which ranged from Long-form Reality Television Shows, to Long-form Drama, to Feature Films, Commercials, Behind-the-Scenes, an Independent Short Film, Corporate Videos, Documentary, and even some Online Media. If you’d like to get a closer sneak peak at snippets, trailers, and other tit-bits, then check out my showreel pages.
I started the year off with completing the grade on two New Vision Studios’ long form television productions namely High Alert and Rumble and Hum.
High Alert is a reality show that follows the lives of three brothers who operate their own security and protection company.
Rumble & Hum is a reality tattoo and lifestyle show that follows the life of SA’s most awarded tattoo artist, Lewis Williams, and his team of tattoo and piercing artists. Later in the year, they were both successfully licensed for distribution on CBS Reality.
The latter part of 2017 saw two big collaborations with Black Brain Pictures and Mzansi Magic. Firstly, on Change Down – Hosted by comedian Skhumba and Boity Thulo, viewers were taken across the country in this motoring show which showcased the flavour of South African motoring.
Secondly, the iconic No.1 local drama – Lockdown – Set in a women’s prison where power and survival mean everything, the tense and fast-paced drama takes viewers into the lives of the inmates as they battle demons that hold them prisoner in every sense of the word.
Mid-year, was educational as I edited a Zimbabwean film called Chinhoyi 7 – A movie about the legendary ‘Chinhoyi 7’ Chimurenga fighters who held off a battalion of Rhodesian soldiers for a whole day, marking the start of the war of liberation. This history was new to me and very enlightening to work on amidst current political shifts in Zimbabwe. Chinhoyi 7 was written and directed by Moses Matanda, and was produced in association with the Zimbabwe Defense Forces, the Zimbabwe Republic Police and Zimbabwe Prison Service.
This year, I was also involved with countless film negative transfers. Whether these were archive films that hadn’t been seen since the 60’s or recent rushes for local productions, I’m always humbled by the pure professionalism that this medium demanded. With every foot of negative you shot costing much more than today’s digital options, the permanence of each take meant filmmakers were intentional in every facet of their shoot. I am sad to see that many important progressions of the film era have been lost on new entrants, which almost lends itself to a post modernistic re-discovery of the language.
Although this aspect of the industry is in decline due to the changing nature of how we consume media, I was still privileged to work on some great pieces for my clients.
An old faithful, Nickelodeon, never ceases to bring the kid out of me – cutting promos for shows like Shimmer and Shine, Tad, the Lost Explorer and even My Little Pony.
It was also the first time I worked with Prima Toys, where I edited their Baby Love Television Campaign.
I also graded a few other promos and commercials like the Lays Cheese Gratin TVC. I’m still insisting the client needs to bring me samples so that I can fully experience the colour! What do you think? At least, that’s my story and I’m sticking to it! *wink wink*
It’s been a while since I worked on one of these and was happy to get my hands dirty! Turner Studios in London and Cartoon Network’s Imagination Studios collaborated with industry locals to create an unforgettable experience for 4 young winners in Africa that participated in a conceptual and creative Superhero Duo Drawing Competition. I merely captured the magic in edit and grade. Watch the full Behind-the-Scenes here!
It was also good to collaborate again with Creative Producer and Director, Chris Green from Lucky Bean Media on an independent short film called The Long Shot. I last worked with him on MasterChef South Africa in 2014/2015. The Long Shot, a web short, entirely self-funded, tells the story of a young South African basketball player and his dream of making his long shot. You can watch the piece here.
Arguably one of my favourite genre’s to work in, there was sadly little doccie work through the doors this year. However, I really enjoyed working with Nqaba Ngoyi from Fort Films in capturing a small slice of life of his famous Great-Grandmother and freedom fighter, Lilian Ngoyi.
South African Editor’s Guild
This year, I was also involved as an Executive Member of the South African Editor’s Guild (SAGE). Basically, SAGE is a voluntary, non-profit organisation which represents film and video picture editors, assistant editors and sound editors. Since its inception in the early 90s, SAGE has become a recognised player in the local film and television industry. With more than 100 active members, the guild represents most of the best talent in the feature film, TV drama, documentary, insert, on-line and sound editing in South Africa today. If you’re interested in learning abit more of them or even joining – you can check out their website here.